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Norma
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
Vasily Barkhatov interprets the tragedy against the backdrop of a change in the political system. Norma gets caught up in the millstones of ideological upheavals in which old idols are replaced by new ones.
In her production, director Mariame Clément focuses on the youth of the title characters and does not show them as an exaggerated ideal type of couple, but rather as young people of today who find each other against all odds.
In her production, director Mariame Clément focuses on the youth of the title characters and does not show them as an exaggerated ideal type of couple, but rather as young people of today who find each other against all odds.