Fin de Parti
Here, Beckett’s predilections for the circus, amusement parks, and clownery resonate, as Johannes Erath foregrounds in his production.
Fin de Parti
Here, Beckett’s predilections for the circus, amusement parks, and clownery resonate, as Johannes Erath foregrounds in his production.
Fin de Parti
Here, Beckett’s predilections for the circus, amusement parks, and clownery resonate, as Johannes Erath foregrounds in his production.
Fin de Parti
Here, Beckett’s predilections for the circus, amusement parks, and clownery resonate, as Johannes Erath foregrounds in his production.
Fin de Parti
Here, Beckett’s predilections for the circus, amusement parks, and clownery resonate, as Johannes Erath foregrounds in his production.
Fin de Parti
Here, Beckett’s predilections for the circus, amusement parks, and clownery resonate, as Johannes Erath foregrounds in his production.
Romeo et Juliette
In her production, director Mariame Clément focuses on the youth of the title characters and does not show them as an exaggerated ideal type of couple, but rather as young people of today who find each other against all odds.
Romeo et Juliette
In her production, director Mariame Clément focuses on the youth of the title characters and does not show them as an exaggerated ideal type of couple, but rather as young people of today who find each other against all odds.
Romeo et Juliette
In her production, director Mariame Clément focuses on the youth of the title characters and does not show them as an exaggerated ideal type of couple, but rather as young people of today who find each other against all odds.