The creative paradox: embrace the baggage and cultural memories of the piece and simultaneously hear and see it freshly. To forget is almost as important as to learn.

Norma

Alcina

Looking for an opera for our Era.
The stage director of La Traviata, in Melico Salazar, talks about the possibilities of opera.(Interview of Fernando Chaves Espinach for the newspaper Nation).

José Darío Innella

Mikel Calderón-Revuelta
Tradition is not the worship of ashes, but the preservation of fire.

La Traviata
When you change the way an individual thinks of himself, you change the way he lives in his community and thereby you change the community in some way.
Jo Carson, poet and playwright
