David McVicar’s acclaimed production sets the action in a French château in 1830 on the eve of revolution, amplifying the opera’s undercurrents of class tension. The entire household is drawn into the notoriously complex plot, which covers all shades of human emotion: from spirited playfulness, to deep despair.
Carlos Wagner’s energetic production of Thomas Adés explicit essay on lust, glamour, fame and celebrity.
Graham Vick's stunning and majestic production of Handel's vivid tragedy, Tamerlano, with Richard Hudson-s extravagant Baroque-Islamic designs emphasizing the brilliance of one of Handel’s finest dramatic achievements.
Fall and redemption in an outstanding production of The Rake's progress by Robert Lepage, set in the United States of the 50's, bringing brilliantly to life Tom Rakewell's vulnerability and the steadfastness of Anne Trulove.
Oscar-®-winning film director John Schlesinger’s dazzling production of Staruss’ opera set in 1740’s Vienna.
A show formed by three song cycles. Each one of the performers has one of these cycles assigned, but they are crosswise and connected by its own dramaturgy.
Nicholas Hytner’s acclaimed production of Verdi’s opera on love, ambition and intrigue in 16th-century Spain.
Presented by the Colón Theatre's Chamber Opera as part of a doble bill with Il Maestro di Cappella by Cimarosa.
Presented by the Colón Theatre's Chamber Opera as part of a doble bill with Master Peter's Puppet Show by Manuel de Falla.
The juicy Mozart and Da Ponte’s bedroom farce, with characters delineated in delightful and refreshing manners, filled with delicate details.
Verdi's La Traviata at the Municipal Theatre in Mendoza, Argentina.
The Bad against The Worst. The production feeds from three important esthetics: American Film Noire, Black Comedy of ends of the 1930s and beginning of the 1940s and Horror Films of the same decades.