Oscar-winning director John Schlesinger, was the eldest child born of a solidly middle-class Jewish family. Berbard Schlesinger, his father, was a pediatrician, and his mother Winifred was a musician. He served in the Army in the Far East during World War II. While attending Balliol College at Oxford, Schlesinger was involved with the Undergraduate Dramatic Society and developed an interest in photography. While at Oxford, he made his first short film, Black Legend in 1948. He took his degree in 1950 after reading English literature, and then went into television. From 1958 through 1961, he made documentaries for the British Broadcasting Corp.
His 1960 documentary, Terminus (1961), which was sponsored by British-Transport, won him a British Academy Award and the Gold Lion at the Venice Film Festival. He made the transition to feature films in 1962, with the "kitchen sink" drama A Kind of Loving (1962), which got him noticed on both sides of the Atlantic. His next film, the Northern comedy Billy Liar (1963), was a success, and began his association with actress Julie Christie, who had a memorable turn in the film. Christie won the Best Actress Academy Award and international super-stardom and Schlesinger his first Oscar nomination as Best Director with his next film, the watershed Darling (1965), which dissected Swinging London. Subsequently, Schlesinger and Christie collaborated on Far from the Madding Crowd (1967), an adaptation of Thomas Hardy's classic novel, in 1967. The movie was not a success with critics or at the box office at the time, though it's stature has grown over time. His next film, Midnight Cowboy (1969), earned him a place in cinema history, as it not only was a huge box office hit, it was widely acclaimed as a contemporary classic. It won the Oscar for Best Picture and garnered Schlesinger an Oscar for Best Director.
Schlesinger earned his third, and last, Oscar nomination for the highly acclaimed Sunday Bloody Sunday (1971). He continued to operate at a high state of aesthetic and critical achievement with The Day of the Locust (1975), Marathon Man (1976) and Yanks (1979), but his 1981 comedy, Honky Tonk Freeway (1981), was one of the notable flops of its time, bringing in only $2 million on a $24 million budget when break-even was calculated as three-times the negative cost. Although Schlesinger continued to work steadily as a director in movies and TV, he never again tasted the sweet fruits of success that he had for over a decade, beginning in the mid-60s.
Schlesinger's artistic fulfillment increasingly came from directing for the stage and, specifically, opera. He directed William Shakespeare's "Timon of Athens" for the Royal Shakespeare Company (RSC) in 1964, and after his movie career faded, he directed plays, musicals and opera productions. After Laurence Olivier was eased out of the National Theatre in 1973, Schlesinger was named an associate director of the NT under Olivier's successor, Sir Peter Hall of the RSC.
Schlesinger also directed the musical I and Albert (1972) at London's Piccadilly Theatre. As associate director of the Royal National Theatre, he produced Shaw's Heartbreak House (1975). He begin directing operas with Les contes d'Hoffmann (1980) and Der Rosenkavalier (1984), both at Covent Garden. Schlesinger also directed a notable party political broadcast for the Conservative Party in the general election of 1992, which featured Prime Minister John Major returning to Brixton in south London, where he had spent his teenage years, which highlighted his humble background, atypical for a Conservative politician. Schlesinger admitted to having voted for all three main political parties in the UK at one time or another.
Schlesinger was made a Commander of the Order of the British Empire (CBE) for his services to film in 1970. In 2003, a Golden Palm Star on the Palm Springs, California Walk of Stars was dedicated to him.
Schlesinger suffered a stroke in December 2000. His life partner, Michael Childers, took him off life support and he died the following day, in Palm Springs, Claifornia.