Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist.

He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. His libretto for Mirette was never performed in France but was later performed in English adaptation in London. He wrote the text for Charles Gounod's Mireille (1864) on his own, and collaborated with Eugène Cormon on Bizet's Les pêcheurs de perles. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Gounod’s Le Médecin malgré lui (1858), Faust (1859), Philémon et Baucis (1860), La Colombe (1860), La Reine de Saba (1862), Romeo y Julieta (1867). Polyeucte (1878), Offenbach’s Les contes d'Hoffmann (1881); Halévy’s Valentine d'Aubigny (1856); Massé’s Galathée (1852), Les Noces de Jeannette (1853), Miss Fauvette (1855), Les Saisons (1855) y Paul et Virginie (1876); Reyer’s Le Pardon de Ploërmel (1859) para Meyerbeer; La Statue (1861); Saint-Saëns’ Le Timbre d'argent (1877) and Thomas’ Psyché (1857), Mignon (1866), Hamlet (1868) y Françoise de Rimini (1882). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks.

His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. His nephew Albert Carré (1852–1938) also wrote libretti.