As the Associated Press observes, Stephen Costello is “a prodigiously gifted singer whose voice makes an immediate impact.” The Philadelphia-born tenor quickly established a reputation as a “first-class talent” (Opera News) after coming to national attention in 2007, when, aged 26, he made his Metropolitan Opera debut on the company’s season-opening night. Two years later Costello won the prestigious Richard Tucker Award, and he has since appeared at many of the world’s most important opera houses and music festivals, including London’s Royal Opera House, Covent Garden; the Deutsche Oper Berlin; the Vienna State Opera; the Lyric Opera of Chicago; San Francisco Opera; Washington National Opera; and the Salzburg Festival. In 2010 he created the role of Greenhorn (Ishmael) in the Dallas Opera’s celebrated world-premiere production of Jake Heggie and Gene Scheer’s Moby-Dick, prompting Opera magazine to hail him as “a tenor of ineffable sensitivity” and “unfailing elegance in singing.”

Costello returns to the Dallas Opera to launch the 2016-17 season, making his role debut as Lensky in the company’s season-opening production of Tchaikovsky’s Eugene Onegin, before reprising his account of Greenhorn in Moby-Dick. Fall also marks his debut with the Boston Symphony and Andris Nelsons, under whose leadership he joins Renée Fleming for concert performances of Strauss’s Der Rosenkavalier. In the New Year, he heads back to the Metropolitan Opera to make his house title role debut in Bartlett Sher’s hit staging of Gounod’s Roméo et Juliette, and revisit his portrayal of the Duke of Mantua in Michael Mayer’s Vegas setting of Verdi’s Rigoletto. In Europe, besides giving his signature account of Rodolfo in La bohème at Madrid’s Teatro Real, he makes his Paris Opera debut as Camille in Lehár’s Merry Widow.

The tenor launched his past season with two fall productions at the Met, where he made his company role debut as the Duke in Mayer’s take on Rigoletto, and reprised his Lord Percy in Donizetti’s Anna Bolena. Other season highlights included several notable firsts: besides singing his first Des Grieux in Massenet’s Manon at Dallas Opera, and making house role debuts both as Verdi’s Duke at Madrid’s Teatro Real and Edgardo in a new production of Donizetti’s Lucia di Lammermoor at the Royal Opera House, he also made his Santa Fe Opera debut in the title role of Roméo et Juliette. At the Vienna State Opera this June, he sings Nemorino in a new staging of Donizetti’s L’elisir d’amore.

Costello made his professional debut in 2005 with the Opera Orchestra of New York at Carnegie Hall. The following year brought his European debut, as Nemorino with Opéra National de Bordeaux, and his first appearances at the Dallas Opera and Fort Worth Opera, as Puccini’s Rodolfo. Noteworthy subsequent debuts have included the Salzburg Festival, as Cassio in Otello; Covent Garden, as Carlo in Linda di Chamounix; Lyric Opera of Chicago, as Camille in The Merry Widow; San Diego Opera and Moscow’s Tchaikovsky Concert Hall, both in the title role of Roméo et Juliette; the Glyndebourne Festival, as Nemorino; and the Vienna State Opera and Berlin State Opera, both as Rodolfo in La bohème. At San Diego Opera, Costello made role debuts as the Italian Singer in Der Rosenkavalier and in the title role of Faust, besides opening the company’s 2012-13 season with his first appearances as Tonio in Donizetti’s La fille du régiment.

At the Dallas Opera, Costello played the tenor lead in each of Donizetti’s three Tudor operas, before reprising Lord Percy opposite Anna Netrebko for his second opening-night performance at the Met, in the company’s premiere presentation of Anna Bolena. He and Netrebko appeared on PBS’s Charlie Rose to discuss the new production, which was transmitted worldwide in the Met’s Live in HD series. For his Los Angeles Opera debut, Costello portrayed Rodolfo in La bohème; for his first appearances at Washington National Opera, he resumed the role of Greenhorn in Heggie/Scheer’s Moby-Dick; and for his Houston Grand Opera debut, he scored glowing reviews as the Duke of Mantua in Rigoletto. Other career highlights saw him headline “BrAVA Philadelphia!” – the Academy of Vocal Arts’ 80th Anniversary Gala Concert – at Philadelphia’s Kimmel Center, and undertake the male lead in La traviata, both for the historic first live webcast of a complete opera from London’s Royal Opera House, and in a San Francisco Opera production that was simulcast to thousands in AT&T Park, home of baseball’s San Francisco Giants.

Costello’s performance as Cassio in Verdi’s Otello, under Riccardo Muti’s leadership at the Salzburg Festival, was released on DVD in 2010 (Major/Naxos), and his Covent Garden debut in Linda di Chamounix was issued on CD a year later (Opera Rara). His star turn in San Francisco Opera’s Moby-Dick, televised nationwide on PBS’s Great Performances, was released on DVD in 2013 (SFO) and named an “Editor’s Choice” by Gramophone. Similarly, his appearance alongside Renée Fleming, Joyce DiDonato, and other operatic luminaries in 2013’s Richard Tucker Gala, which celebrated the legendary tenor’s centennial, was broadcast on PBS’s Live from Lincoln Center and subsequently issued on DVD. The same year saw the release of here/after: songs of lost voices (PentaTone), featuring the tenor’s world premiere recording of Jake Heggie’s Friendly Persuasions: Homage to Poulenc.

Besides winning the 2009 Richard Tucker Award, Stephen Costello has previously received other grants from the Richard Tucker Music Foundation, as well as taking First Prize in the 2006 George London Foundation Awards Competition, First Prize and Audience Prize in the Giargiari Bel Canto Competition, and First Prize in the Licia Albanese-Puccini Foundation Competition. A native of Philadelphia, he is a graduate of the city’s famed Academy of Vocal Arts.