La Calisto
Director Stefan Herheim, together with lutenist and conductor Christina Pluhar—a leading interpreter of 17th-century music—stage this early Baroque opera as a magical cosmic spectacle.
La Calisto
Director Stefan Herheim, together with lutenist and conductor Christina Pluhar—a leading interpreter of 17th-century music—stage this early Baroque opera as a magical cosmic spectacle.
La Calisto
Director Stefan Herheim, together with lutenist and conductor Christina Pluhar—a leading interpreter of 17th-century music—stage this early Baroque opera as a magical cosmic spectacle.
La Calisto
Director Stefan Herheim, together with lutenist and conductor Christina Pluhar—a leading interpreter of 17th-century music—stage this early Baroque opera as a magical cosmic spectacle.
La Calisto
Director Stefan Herheim, together with lutenist and conductor Christina Pluhar—a leading interpreter of 17th-century music—stage this early Baroque opera as a magical cosmic spectacle.
La Traviata
Mariame Clément’s production focuses not only on the tragic love story between Violetta and Alfredo, but also on the social structures that shape their lives.
La Traviata
Mariame Clément’s production focuses not only on the tragic love story between Violetta and Alfredo, but also on the social structures that shape their lives.
La Traviata
Mariame Clément’s production focuses not only on the tragic love story between Violetta and Alfredo, but also on the social structures that shape their lives.
La Traviata
Mariame Clément’s production focuses not only on the tragic love story between Violetta and Alfredo, but also on the social structures that shape their lives.
Manon Lescaut
In this production, Bertrand de Billy returns to the Staatsoper to conduct. In his staging, Johannes Erath focuses on the longings and dreams of the protagonist and the men around her.
Manon Lescaut
In this production, Bertrand de Billy returns to the Staatsoper to conduct. In his staging, Johannes Erath focuses on the longings and dreams of the protagonist and the men around her.
Manon Lescaut
In this production, Bertrand de Billy returns to the Staatsoper to conduct. In his staging, Johannes Erath focuses on the longings and dreams of the protagonist and the men around her.
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